![]() ![]() By living in the smaller and more welcoming Parisian milieu, she was able to exhibit consistently in galleries and then museums-probably more than she would have in midcentury New York, with its notoriously chauvinistic art scene. Jaffe enjoyed both the calm, gray evenness of Paris and, on her occasional visits back, the jostling collage of New York. Being foreign (and thus always a bit exotic) upended expectations and made you stand out. Yet to a reserved, hard-working woman like Jaffe, the city offered major compensations: in Paris you could be admired for the quality of your thoughts and the visual integrity of your art. She had periods of real financial hardship, when she feared losing her apartment and had to obtain art supplies on credit. Not that life there was always easy for her. But for Jaffe, although she periodically considered moving back to New York, residing permanently in Paris turned out to be a good choice, both personally and professionally. Of course, cheap is not free, and circumstances in a country where the local artists could be unwelcoming, compatriots competitive, and the language a constant challenge often made for short stays. Richard Taittinger Gallery Now Reps Nassos Daphnis Estate, Plans ShowĪ Color for Our Times: "Safety Orange" Considers a Curious Hue
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